![]() Microsoft stores the information anonymously. No personally identifiable information is submitted to Microsoft. We may use the information collected through cookies to generate statistics about ad performance. Through Microsoft Ads Conversion Tracking, Microsoft and we can track which ads users interact with and which pages they are redirected to after clicking on an ad. The data is stored anonymously by Google. No personally identifiable information is submitted to Google. We may use the information collected through cookies to compile statistics about ad performance. Through Google Ads conversion tracking, Google and we are able to track which ads users interact with and which pages they are redirected to after clicking on an ad. In part two of Extending the use of your Akai APC40, I'll be looking at how you can use Max For Live to expand the functions of your favorite controller and we'll be looking at some great patches that do just that.Our shop uses Google Ads. There are two versions of the template, one which mixes tracks internally in Live and another which outputs the tracks to separate outputs on your soundcard if you still want to use a 'proper' DJ mixer.įind out more about the APC40 DJ Template here: It also comes with a big selection of effects racks which are cleverly mapped to the APC40 to allow the DJ to insert momentary effects into the set. There's some innovative and useful ideas here such as the 'smart' volume controls which use filters to make better sounding crossfades. There is a template Live project with everything set up for you, you just add tracks and go. It's similar to Glitch Factory but offers another take on live performance with the APC40. This one is aimed more at the DJ and turns the APC40 into a DJ controller. Those buttons can be used for more than just launching clips! ![]() Because of this it may or may not work for your own live setup, but it's an amazing look into someone else's Live world and a good example of just how much the APC40's functionality can be altered towards a very specific goal. It has been put together by Australian producers, Mr Bill and Will Marshall, and was made for their own live performances. If you have ever wondered about how to put together a live set of your music using Ableton Live, Glitch Factory is a fascinating insight. It is both a MIDI remote script and a Live performance template designed to work together to allow live performance and mixing of stem-based live sets. If you use Ableton Live in a live performance capacity, then Glitch Factory may be for you. Glitch Factory by Mr Bill and Will Marshall ($20) PC: C:Program FilesAbletonLive 8.xResourcesMIDI Remote ScriptsAPC_64_40įind out more about MIDI remote script programming at Hanz's blog here: Mac OS X: /Applications/Live 8.x OS X/Live.app/Contents/App-Resources/MIDI Remote Scripts/APC_64_40 Installing MIDI remote scripts is easy, download and copy Ableton's MIDI Remote Scripts directory: There's far too much functionality to go into detail here, suffice to say that anyone with an APC40 should download and install this. There's a 64-step sequencer which represents a very impressive showcase on just what can be done with remote scripts, and additional modes for clip launch matrix, faders and track control knobs. Rather than drastically changing the APC40's functions to suit specific purposes, as the other scripts reviewed here do, it leaves all the original APC40 functions in place and adds to them via various modes which can be accessed via shift-clicking certain buttons. He has also been kind enough to offer his own APC64-40 script as a donationware download. It's a fascinating read and is probably the best place to start if you want to program or edit your own scripts. Hanz Petrov put together a blog on how to hack and edit MIDI remote scripts. If programming isn't your bag, or you'd just rather spend the time making music, then here are some amazing pre-made scripts. Luckily there are some excellent pre-made scripts out there. Writing your own MIDI remote scripts isn't for everyone.
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